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A con artiist (Will Smith) takes on an inexperienced apprentice in this crime comedy from the filmmaking duo behind Crazy Stupid Love, Glenn Ficarra and John Requa. A veteran grifter takes a young, attractive woman under his wing, but things get complicated when they become romantically involved.
About Focus
Artist : Margot Robbie, Will Smith, Rodrigo Santoro, BD Wong, Gerald McRaneyAs : Jess Barrett, Nicky, Liyuan, Ownes, McEwen
Title : Focus Peliculas Infantiles Gratis
Release date : 2015-02-27
Movie Code : 2381941
Duration : 104
Category : Comedy, Crime, Drama
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Focus' problem isn't that its stars lack charm, but that it's squeezed into tight spaces between protracted explanations of setups, backstories, and twists-a poor example of the every-shot-must-convey-narrative-information school of filmmaking.
You come out feeling you've been had by well-intentioned crooks who aren't ready for the big show.
Decent but unremarkable . the kind of movie you see with some pleasure but no dreams of sequels or remakes.
Mostly, it is fun to watch Will Smith and Margot Robbie, and to marvel at whatever divine or evolutionary miracle concentrated so much charisma in the two of them.
Like a perfect cocktail mixes the sour with the sweet and the bright with the boozy, "Focus" combines seamless, superbly-crafted filmmaking with the fizz and fun created by its leads.
That sound you hear is the high-fives in the writers' room, and that, unfortunately, is where the filmmakers' focus remains.
What keeps the film humming along as smoothly as it does is the chemistry and charisma of its leads.
Smith and Robbie, both going through the motions, don't click at all, and Robbie in particular has nothing to play.
Like a counterfeit handbag: It looks great but falls apart when you reach into it.
Smith's natural charisma has been dulled by special effects bonanzas and/or a desire to play against type. In "Focus," he feels like himself again, and he reminds you why he became one of Hollywood's biggest stars in the first place.
Even in a lark about con artists working through their trust issues, we need more.
Smith and Robbie are terrific together. At various points along the way, he's playing her, and then she's playing him, and then we're almost positive they've let their collective guard down and they're really in love . Or are they?
Co-stars Will Smith and Margot Robbie remain consistently charismatic, even once the script for this heist caper collapses in a punishing pile of its own twists and double-crosses.
The mix of longtime star and minx on the rise is one tasty element in the success of a movie that approaches the modest goals and effortless allure of a 60-year-old Hitchcock.
Sexy stars, pretty cities, nice music and some tricky action. If that's a con game, well - I'm happy to be had. And you will be, too.
Unfortunately, since the major characters' salient character traits are insincerity, opaqueness and untruthfulness, it's hard to invest much interest in any of them.
Drunk on its perfume-ad cinematography and doesn't know when to quit with its double-double cross plotting.
This is the kind of movie where we're not supposed to know at any time who is playing whom, but since the characterizations are glossy and paper-thin, it's difficult to get worked up about who gets fleeced.
Focus is a shiny, stylish shell game of a film that, much like its protagonists, relies on breezy chatter, a good sense of humor and a lot of misdirection to succeed.
The story is ludicrous.Yet Focus, Will Smith's mea culpa to moviegoers after the post-apocalyptic tedium of After Earth two years ago, is more breezily enjoyable than it has a right to be.
It's not that the movie keeps you guessing with its intricacy, it's more like it's making it up as it goes along.
Smith wears it like a well-tailored suit, and the brisk, snappy dialogue is well delivered by an able cast.
We can't say we weren't warned. Will Smith has been telling us not to trust him the entire movie.
If Grace Kelly had been raised by coyotes, she might have stalked the screen like Focus' Margot Robbie, a va-va-voom blonde with bite
[For Smith,] Focus isn't a full return to brilliance but a welcome stop, hopefully, on the way there.
It's a shiny, diverting ride. (And right about now, that's OK.)
"Focus" is ridiculous in every detail. It's a movie with no truth, that teaches nothing and shows nothing, that has only its audacity to recommend it.
It's yet another reminder that if it's not called "The Sting," you shouldn't get too comfortable with a con-game movie.
This kind of film needs a punchy right hook to follow up its clever, if outlandish, jab late in the game, and "Focus" doesn't deliver.
At times . Focus resembles a commercial for a pricey brand of liquor, an elite hotel or a luxury car more than a story-driven movie.
The Hollywood stakes for Smith are as high as they are for the con man he plays. As it stands, "Focus" just might be a game changer.
There's much to be said for a film that doesn't overreach, delivers on most of its promises and gets the audience out the door in just over an hour and a half.
The two stars are dazzling distractions. Robbie is a wow and then some. The Aussie actress shows a comic flair backed up with beauty and steel. Even when Focus fumbles, Robbie deals a winning hand.
It's beautifully photographed and entertaining, with charming performances by Will Smith and newcomer Margot Robbie that tease and tantalize. You won't be bored.
It does enough things right to earn a recommendation, but there are misfires aplenty for those who care to look for them.
The film itself comes to feel like a con, thanks to a script that's too clever by two-thirds, and butterfingered in the ways of portraying love.
A predictably unpredictable tale of conmen and women complete with the industry-mandated quantity of fast cars, short skirts, sharp suits, slippery billionaires and "Oh, it was that guy all along!" plot twists.
In this lame caper, the biggest scam perpetrated is the one that makes audiences think they'll have a good time.
While not quite the "art" it's billed to be, if the perfect con is about diverting one's focus, then this one keeps you distracted till the end.
Even if you're willing to forgive its sinkhole plotholes and farthest-fetched conceits, the film - from cowriters/co-directors Glenn Ficarra and John Requa - ultimately makes no sense.
The second half feels like Ficarra and Requa ran out of ideas and just hit restart.
Although it brings nothing new to the con-artist fold, or even anything thrilling, "Focus" is a seductive enough rehash that benefits from the built-in pleasures of the trade.
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